How To Do A Video Interview | NOVA Science Studio Tutorial
Clip: Season 50 | 3m 56sVideo has Closed Captions
Interviewing is one of the most important parts of creating compelling videos
Interviewing, whether in person or via a remote application is one of the most important part of creating compelling video. NOVA producer Alex Clark highlights the essential techniques and preparation required to conduct a perfect interview.
National Corporate funding for NOVA is provided by Carlisle Companies. Major funding for NOVA is provided by the NOVA Science Trust, the Corporation for Public Broadcasting, and PBS viewers.
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How To Do A Video Interview | NOVA Science Studio Tutorial
Clip: Season 50 | 3m 56sVideo has Closed Captions
Interviewing, whether in person or via a remote application is one of the most important part of creating compelling video. NOVA producer Alex Clark highlights the essential techniques and preparation required to conduct a perfect interview.
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Learn Moreabout PBS online sponsorshipAlright, so this vid Let's say I'm taking a selfie.
From this position I look pretty good.
But what if I'm what you call backlit which means there's a and the light that is hitting my face is less prominent.
It's a common error in shooting, and it brings to light one of the fundamental that we're going to discuss in this video.
And that is positioning, ensuring that your camer where your subject gets hit by enough li Will make sure that you're able to capture all of the details and the emotions that you're The intensity of your light source is also important to consider.
On my phone, I can tap in the of the screen on video mode, and it brings up a By holding my finger left I can raise or lower the brightness of my shot.
You can make your own adjustments to how you want it, and then hit record.
This can help you get your subj looking appropriately lit.
So, I'm not too dark or and not too bright or over exposed.
When you have too much light on your subject you'll begin to lose detail, and your shots will be Alright.
So, ther Starting with natural light.
I'm outside now.
Wow!
It's a beauti Now, the camera's actual to the light from my environment.
It's mostly coming from the sun up And if you notice, when I'm outside, this looks a lot more natural than I did over here in th where it looks a lot more orange.
Now natural light, and this is the reason the s actually appears a bit more bl than your incandescent light bulbs which will give you a warmer ap Different lights actually all have differe so depending on the room you're in you'll look completely diffe depending on the light s Okay, I'm back inside.
I'm at my I need to control all the light entering the Let's take a look at the room, and see how many There's artificial light in the bulbs and the sc And then there's natural light from the sun outside.
You never want to mix lighting, so what I'll do is cho I'll blackout the other lights, and adjust with a single Al exa TV room off.
- [Alexa] Okay.
(equipment rustling) # All of the lights!
# - Capturing good audio requires many of the same I need to consider the intensity of the audio I'm recordi as well as the distance from my audio source to the micropho Many smartphones will have their mic at the bottom of the phone, and they'll going direct as well as circling around the outs When you're recording yourself for the clearest Either Bluetooth or wired will work as long as they have an attac I also like to do a test recording before doing the full take, just to make sure For everything else when you use your smart just get really close to where the and try to avoid any other sounds coming into it.
In my case, that usually means turning off the fish (fish tank unplugging) my refrigerator, and closing (window blinds sliding) So when you play back your audio, the sound should be lo without background noise, but also not so loud that it The loudness of the audio that you capture is measured in decibels.
The louder your audio is, the higher the decibel figure will Here's some footage of me capturing different type of audio to measure loudness.
(drum music) (train engine roaring) - You know drummers, the subway, all of these things are in If you're shooting with an external microphone, you want to monitor your audio.
And there's usually a meter on your that will tell you how loud, or what decibel level, the a Try to record in a range between negative 20 and negative 10 decibels.
This will give you plenty of room to raise things up lat without being di And that's all you need to know.
all you need to know.
That's y And that's All you (soft gentle music)
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